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| Gene Tierney thinks she has troubles as a kleptomaniac in “Whirlpool.” Wait till she meets Jose Ferrer’s hypnotist! |
20th Century Fox upper
middle class luxury meets lurid film noir via a charlatan hypnotist, in 1950’s Whirlpool. The con man (Jose Ferrer) takes
advantage of a well-to-do housewife (Gene Tierney) who is a kleptomaniac. Once
David Korvo has a hypnotic hold on Ann Sutton, he sets her up for murder.
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| Gene Tierney’s Ann Sutton is under hypnotic suggestion to carry out crimes in 1950’s “Whirlpool.” The good news is she sleeps like a baby! |
Fox studio head Darryl
F. Zanuck was hoping for another Laura,
as Whirlpool had the same director,
female star, and composer. As the smooth-talking hypnotist, Zanuck wanted an
elegant villain along the lines of Laura’s
Clifton Webb. Filmed in mid-1949, I understand why Jose Ferrer was considered a
casting coup at the time, as he was a huge Broadway hit as Cyrano de Bergerac.
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| Gene Tierney’s troubled housewife falls under phony Jose Ferrer’s spell in 1950’s “Whirlpool,”from 20th Century Fox. |
However, I think Fox
should have stuck with one of their charming cads, Vincent Price or George
Sanders. Ferrer is all sonorous voice but looks and acts like such a little
weasel that it begs why someone like Gene Tierney would give him the time of
day. At least with the two Fox stars, they had stature and good looks that
allowed them the guise that hid the wiles. Or best of all, James Mason, who had
a great face and voice, and was new to American movies.
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| Jose Ferrer’s unctuous hypnotist is short on charm & long on creepy in “Whirlpool.” |
Richard Conte seems somewhat miscast as Ann’s
shrink hubby Bill, but Conte at least has conviction. I think that Conte is a
handsome, solid, and intense actor. Conte would have thrived over at WB playing
either cops or robbers; he has that kind of face. With those piercing eyes and
jutted jaw, Conte always looks like he is gonna belt somebody!
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| Richard Conte is the psychiatrist husband of Gene Tierney’s kleptomaniac in 1950’s “Whirlpool.” |
Charles Bickford is
always instantly believable, here as no-nonsense Lt. Colton, who finds the
whole story beyond belief—and he’s right! The police detective is also mourning
the recent loss of his wife, which gives him some depth.
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| Charles Bickford is the no-nonsense police detective solving a nonsensical crime in 1950’s “Whirlpool.” |
Barbara O’Neil, beloved
by film fans as Scarlett O’Hara’s mother and
memorable as the deranged wife in All
This, And Heaven Too, plays one of Korvo’s victims. To distinguish O’Neil
as the older woman, she is given a skunk-like white streak in her dark hair!
Her performance is much more subtle.
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| Barbara O’Neil’s older socialite tries to give Gene Tierney’s matron some friendly advice in 1950’s “Whirlpool.” |
As for Gene Tierney,
I’ve always admired her great beauty, class, and intelligence. Tierney always
seemed to do best in roles where she seemed other-worldly. Here is no exception,
given that Ann Sutton’s under hypnosis half the time. There’s a certain amount
of psychology here, with a wife who seemingly has everything, but resorts to
shoplifting for some kind of release. Tierney’s performing is not electric,
like Bette Davis, or deeply empathetic like Ingrid Bergman, but she performs well
within the studio era’s stylized acting.
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| Hey, when hypnosis doesn’t work, drastic measures are required! Jose Ferrer and Gene Tierney in 1950’s “Whirlpool.” |
Even for a studio era
film noir, the plotting in Whirlpool
is preposterous. The movie opens with moneyed suburban matron Tierney getting
busted for shoplifting in a swanky LA store. When Ann Sutton is escorted to the
manager’s office by security, onlooker David Korvo follows, and imposes his
opinion about the awkward situation. In reality, the security would have
escorted him out before he could finish his first sentence! Nor would anybody
in their right mind meet with this obviously smarmy character in public,
despite red flags galore. I won’t give away the finale, but it goes beyond the
pale of believability.
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| One of the most unbelievable scenes, Jose Ferrer in 1950’s “Whirlpool.” |
At the time, Whirlpool was considered an “A” picture,
though it feels a bit minor by today’s standards. Zanuck had a personal hand in
this film, the book was considered a hot property, Ben Hecht was the
screenwriter, etc. And yet, all the ingredients didn’t create a memorable
melodrama.
Part of the problem
was the miscast leading men, plus neither were particularly box office magnets.
Which meant the burden of carrying the picture fell on Gene Tierney’s slim
shoulders. Even in her greatest vehicle, Leave
Her to Heaven, Gene was bolstered by a strong supporting cast. As Laura, she got great support from Dana
Andrews and especially, Clifton Webb. Tierney was a leading lady who always
benefited from a strong leading man.
The direction by Otto
Preminger, score by David Raksin, cinematography by Arthur C. Miller, and
costumes by Oleg Cassini for then-wife Tierney are all top class. But the characters
don’t click, due to off-target casting and absurd plot contrivances. Whirlpool is worth a watch, but it’s not
exactly a hypnotic film.
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| Richard Conte and Gene Tierney call it a night in 1950’s “Whirlpool.” |
My take here on Laura, the first and best of four films
that Gene Tierney and Otto Preminger made together:
